Gently with the Innocents
During their investigation of the murder of a lonely old man in his dilapidated mansion, Gently (Martin Shaw) and Bacchus (Lee Ingleby) stumble upon a world which is beyond their initial comprehension and belief.
Gently in the Night
Gently (Martin Shaw) and Bacchus (Lee Ingleby) are investigating the murder of a young woman whose body is found in a local church. It transpires that the girl was a ‘Fox’ – a waitress working at the first hostess club in Newcastle.
Gently Through the Mill
When a body is found in a local Mill Gently (Martin Shaw) and Bacchus (Lee Ingleby) go on to uncover a web of local corruption, blackmail, fraud and robbery.
Gently in the Blood
When a young woman is raped and murdered Gently (Martin Shaw) and Bacchus (Lee Ingleby) are thrown into a world of racial intolerance, sexual jealousy and turf warfare.
PRESS
Shaw's Gently is an excellent and convincing character - diligent and thorough, but with the requisite troubled past and just a hint of a mean streak which comes out in his teasing of sidekick DS Bacchus, played, also excellently, by Lee Ingleby. Sam Wollaston, The Guardian
Thanks to Flannery’s script, the perennially watchable Shaw, and the understated period detail, the inspector is a worthy addition to TV policing. Tim Walker, The Independent on Sunday
Yesterday’s episode proved dark, thoughtful and shot through with a real interest in history – as maybe you might expect from a drama written by Peter Flannery… More surprising still for a programme set in the good old days, the usual sense of nostalgia was replaced by the daring suggestion that some things are better now. James Walton, The Daily Telegraph
The credible storyline, serious actors and excellent sets make the 90 minutes fly by. The Mail on Sunday
[Gently] offers a fascinating insight into the difficulties that the police faced investigating and trying to solve crimes without the help of modern technology. The Times
The performances are assured while the script doesn’t flinch from tackling dark material. JW, The Guardian
Martin Shaw is on good form as the eponymous copper and Peter Flannery’s script cannily taps the shifting mores of 1960s Britain. Neville Hawcock, Financial Times
Martin Shaw’s Gently, all lugubrious meditation and unillusioned patience, contrasts nicely with his eager, puppyish sergeant. It is yet another, but pleasant, variation on the theme of teacher-pupil that tends to run through these series. John Lloyd, Financial Times